Press Index

From Show Tunes to Show-Herself Tunes

By Mark Blankenship September 2, 2007

BIRDLAND may call itself the jazz corner of the world, but when Laura Bell Bundy played there in July and August, she brought cowboy boots, a platinum blond hairpiece and a board to clog on.
 


Michael Nagle (New York Times)
Laura Bell Bundy performing country and honky-tonk tunes at Birdland.
Tearing through a mix of country ballads and honky-tonk stompers not to mention a bluegrass cover of Billy Idols Dancing With Myself Ms. Bundy seemed delighted to be upending expectations. After all, even listeners who werent anticipating jazz might have assumed her song choices would recall Legally Blonde, the perky Broadway musical in which Ms. Bundy, as the sorority girl cum law student Elle Woods, belts pop-legit tunes with titles like Omigod You Guys. From there its a major sonic leap to yodeled laments about worthless men and their trampy new girlfriends.

Ms. Bundy is among the latest in a string of Broadway performers, including Idina Menzel and Kevin Cahoon, who are attempting to transform their theater success into a more mainstream musical career. Some of them sound barely removed from their stage work while others, like Ms. Bundy, travel in an entirely new direction.

To help orient her listeners Ms. Bundy paused during a late July performance to say, I call tonights music yalternative. No doubt shell repeat herself when she appears at the Cutting Room on Oct. 2 and 9.


But the term suits more than the songs. Ms. Bundy, a native of Lexington, Ky., is aiming to create an entire yalternative identity. Though shes known for her work in musical comedies like Legally Blonde and Hairspray, her album Longing for a Place Already Gone owes more to Johnny Cash and Patsy Cline than anyone on Broadway. The 14 tracks evoke everything from mountain music to Southern rock, and they make a convincing case for Ms. Bundy, a co-producer and co-writer of most of her material, as a legitimate country artist.

Calling her Ms. Bundy, however, may be misleading since Longing for a Place Already Gone is credited only to Laura Bell. Ms. Bundy explained during a lunch interview that I dropped the Bundy with my country music because I wanted it to be two separate things: Theres me as a songwriter and a country singer, and theres me as a Broadway performer. And essentially this album is being delivered by a character, but shes more like me than any of the characters Ive played. Its who I see myself as and who I want the world to see me as.

Theres humor and a little bit of edginess. Its the Southern Mae West.

She says she is seeking a realistic balance between Laura Bell Bundy and Laura Bell. On one hand, copies of the album are on sale next to Legally Blonde T-shirts at Times Squares Palace Theater, where the musical is running. On the other hand, Ms. Bundy incorporates theatrical elements into her music. The song Designated Drunk ends with a spoken-word monologue, and for select numbers at her Birdland concerts she used a small fan to blow her hair in dramatic fashion. I cant take the theater side out of myself, she said.

Will country listeners embrace a singer with Broadway roots? Will theater fans accept a stage diva who is backed by pedal steel?

Ive had people listen to the album and say, I didnt recognize you, or That didnt sound like you at all, she noted, adding that one music industry professional declared her voice too trained for country music.

Largely, though, Ms. Bundy said reactions from both worlds have been encouraging. Some country radio stations have been playing her songs. In late August WAGS-AM in South Carolina placed the lilting ballad Fool Moon in regular rotation. The station owner, Jim Jenkins, said on the phone that Ms. Bundys theater background had no influence on him.

I dont know who Laura Bell is, he said, but if I like a song, and its independent, Ill play it. Fool Moon has got the right feel for us, and I like it.

As they hope for radio support, many Broadway performers must take a grass-roots approach to their sideline career, often self-financing their albums and personally promoting them via Web sites like MySpace and the online retailer CDBaby.com. To gain music industry traction, some explicitly woo their theater fan base.

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Source: New Your Times



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